CAPTAIN AMERICA COMICS #1
CGC F/VF: 7.0
(Stock Image)
SOLD ON: Tuesday, 03/12/2019 1:10 PM
$243,000
Sold For
46
Bids
PUBLISHER: Timely
COMMENTS: crm/ow pgs
1st appearance of Captain America, Bucky Barnes, Red Skull w/ origin; 1st app. Super-Soldier Serum (3/41); classic Hitler cover; Jack Kirby & Joe Simon cover/art; Comic Book Impact rating of 10 (CBI)
Read Description ▼
1st appearance of Captain America, Bucky Barnes, Red Skull w/ origin; 1st app. Super-Soldier Serum (3/41); classic Hitler cover; Jack Kirby & Joe Simon cover/art; Comic Book Impact rating of 10 (CBI)
DESCRIPTION
crm/ow pgs
1st appearance of Captain America, Bucky Barnes, Red Skull w/ origin; 1st app. Super-Soldier Serum (3/41); classic Hitler cover; Jack Kirby & Joe Simon cover/art; Comic Book Impact rating of 10 (CBI)
Captain America Comics #1 has the first appearance of Captain America, the first appearance of Bucky Barnes, and the first appearance of the Super-Soldier Serum. That's about as classic as a first issue gets, with 1941's "Meet Captain America" setting up decades of beloved storytelling. Jack Kirby and Joe Simon already had a vision for Captain America's true nemesis, too. Technically, "The Riddle of the Red Skull" features an early imposter, but Marvel later established that Johann Schmidt (staying in the shadows until Captain America Comics #7) is pulling the strings.
There's also the classic cover that adds to the book’s importance as an American artifact from the months before Pearl Harbor. Copies flew off the shelf as this sensational debut established Captain America as the leading symbol of American heroism. It bears repeating that the popularity of characters such as Captain America (and the willingness of comic writers and artists to confront the Axis threat) went a long way toward mobilizing a heretofore isolationist American populace in the long, dark days of the late 30s and early 40s.
Many other art forms desperately avoided or ignored the ugly truth of Europe's rapid slide into fascism and Nazism in an obvious attempt to protect their own financial interests overseas. The almost entirely US-based comics business, staffed and developed largely by fugitives from those same wartime horrors, boldly waved the flag of freedom, most notably in this instant classic.
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Captain America Comics #1 is a rare find as of late, and copies of this quality almost never surface. Even in the absence of the fervor created by the MCU, this would be a highly sought after collectible surely to cause a bidding war.
Overstreet Guide 2018 F/VF (7.0) value = $116,000.
If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in, for the approval to take effect.
We realize many of you would like to bid on this auction lot, so for this listing, ComicConnect.com offers a 6 month, interest free, time payment plan with a 20% non-refundable deposit. Time Payments invoices can only be paid by cash, check, money order or wire transfer. LEARN MORE
Artists Information
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
Joseph Henry Simon was an American comic book writer, artist, editor, and publisher. Simon created or co-created many important characters in the 1930s–1940s Golden Age of Comic Books, such as Captain America, and served as the first editor of Timely Comics, the company that would evolve into Marvel Comics.
1st appearance of Captain America, Bucky Barnes, Red Skull w/ origin; 1st app. Super-Soldier Serum (3/41); classic Hitler cover; Jack Kirby & Joe Simon cover/art; Comic Book Impact rating of 10 (CBI)
Captain America Comics #1 has the first appearance of Captain America, the first appearance of Bucky Barnes, and the first appearance of the Super-Soldier Serum. That's about as classic as a first issue gets, with 1941's "Meet Captain America" setting up decades of beloved storytelling. Jack Kirby and Joe Simon already had a vision for Captain America's true nemesis, too. Technically, "The Riddle of the Red Skull" features an early imposter, but Marvel later established that Johann Schmidt (staying in the shadows until Captain America Comics #7) is pulling the strings.
There's also the classic cover that adds to the book’s importance as an American artifact from the months before Pearl Harbor. Copies flew off the shelf as this sensational debut established Captain America as the leading symbol of American heroism. It bears repeating that the popularity of characters such as Captain America (and the willingness of comic writers and artists to confront the Axis threat) went a long way toward mobilizing a heretofore isolationist American populace in the long, dark days of the late 30s and early 40s.
Many other art forms desperately avoided or ignored the ugly truth of Europe's rapid slide into fascism and Nazism in an obvious attempt to protect their own financial interests overseas. The almost entirely US-based comics business, staffed and developed largely by fugitives from those same wartime horrors, boldly waved the flag of freedom, most notably in this instant classic.
________________________________________________
Captain America Comics #1 is a rare find as of late, and copies of this quality almost never surface. Even in the absence of the fervor created by the MCU, this would be a highly sought after collectible surely to cause a bidding war.
Overstreet Guide 2018 F/VF (7.0) value = $116,000.
If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in, for the approval to take effect.
We realize many of you would like to bid on this auction lot, so for this listing, ComicConnect.com offers a 6 month, interest free, time payment plan with a 20% non-refundable deposit. Time Payments invoices can only be paid by cash, check, money order or wire transfer. LEARN MORE
Artists Information
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
Joseph Henry Simon was an American comic book writer, artist, editor, and publisher. Simon created or co-created many important characters in the 1930s–1940s Golden Age of Comic Books, such as Captain America, and served as the first editor of Timely Comics, the company that would evolve into Marvel Comics.