CATMAN COMICS (1943-46) #27
CGC VG+: 4.5
(Stock Image)
SOLD ON: Monday, 12/09/2019 3:45 PM
$1,500
Sold For
26
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PUBLISHER: Holyoke
COMMENTS: crm/ow pgs
L.B. Cole WWII flag cvr; origin of Kitten retold
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L.B. Cole WWII flag cvr; origin of Kitten retold
DESCRIPTION
crm/ow pgs
L.B. Cole WWII flag cvr; origin of Kitten retold
The beloved Catman Comics series built a loyal following in the '40s despite a troubled publishing history that often affected the book's distribution. The book only became more scarce as Golden Age collectors discovered the wildly imaginative covers from both Charles Quinlan and (as seen here) the legendary L.B. Cole.
Catman Comics was publisher Frank Z. Temerson's attempt to cash in on the sudden superhero boom, resulting in a colorful costumed crimefighter with an origin combining elements of Tarzan, Batman, and Captain America. Catman (aka David Merrywether) originally fought crime as a private detective, and later became a U.S. Army officer. He'd also adopted child acrobat Katie Conn, saving her from a life of crime as she became his sidekick Kitten.
The beloved Axis-bashing hero found a dedicated following despite that often-troubled distribution. (In a unique twist, Catman and Kitten were also the only superhero team who'd age somewhat realistically over the years.) The scarcity of the run, due to that scattered distribution and WWII paper drives, has made Catman Comics one of the toughest and most rewarding Golden Age titles to collect.
Patriotic covers like this one were responsible for the meteoric rise of the comic book as a staple of the American pop-culture diet in the heady days of WWII, but one could argue these issues are even more popular today, as they are one of the star attractions for serious collectors. These wartime comics continue to grow in value and desirability, even as the events and lessons learned from these conflicts start to fade from memory. Here we have Catman and Kitten walking arm-in-arm with the brave young men of the US Armed Forces, acting both as entertainment and also a rallying cry for freedom; these comics will always hold a special place in the hobby no matter what trends come and go.
While this classic L.B. Cole cover illustration may bear some of the tell-tale hallmarks of a seventy-four-year vintage, the memorable artwork still presents strong chromatic touches, as the imperfections respectfully avoid the central figures as they march forth into history.
Artists Information
Leonard Brandt Cole was a comic book artist, editor, and publisher who worked during the Golden Age of Comic Books, producing work in various genres. Cole was particularly known for his bold covers, featuring what he referred to as "poster colors"—the use of primary colors often over black backgrounds. In addition to his covers, Cole did interior art for comics published by Holyoke Publications, Gilberton, and Ajax/Farrell. He also worked as an editor for Holyoke in the 1940s. Cole's comic book career started in the early 1940s, mainly as a cover artist for titles such as Suspense Comics (Et-Es-Go Magazines) and Contact Comics (Aviation Press). He soon became known for his distinctive covers: examples include the covers to Mask Comics #1, Mask Comics #2 (Rural Home), Contact Comics #12, and Captain Flight Comics #11 (Four Star Publications). An avid science fiction fan, Cole was known for slipping in sci-fi elements even when they weren't appropriate, such as rocket ships and ray guns appearing on the covers of Captain Flight Comics and Contact Comics. During this time, Cole created the character "Wiggles the Wonderworm" who appeared in five issues of Taffy Comics, published by Rural Home/Orbit Publications. In 1949, publisher Novelty Press sold its characters and artwork to Cole, who was the cover artist for Novelty's Blue Bolt Comics. Using his new assets, Cole began Star Publications, which operated from 1949 to 1955. After the closure of Star, Cole continued doing cover illustrations, many for Classics Illustrated Junior. In the early 1960s, Cole was art director and editor at Dell Comics. He gained further recognition when comic fandom grew in the late 1960s and through the 1970s. In 1981, he created a new painting that was featured on the cover of the 11th edition of the Overstreet Comic Book Price Guide. During this same time, he began selling re-creations of his classic covers. In the early 1990s, Ernie Gerber published his two-volume Photo Journal Guide To Comic Books which featured on its covers a number of Cole's covers. As a result, the demand for Cole's work increased dramatically.
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
L.B. Cole WWII flag cvr; origin of Kitten retold
The beloved Catman Comics series built a loyal following in the '40s despite a troubled publishing history that often affected the book's distribution. The book only became more scarce as Golden Age collectors discovered the wildly imaginative covers from both Charles Quinlan and (as seen here) the legendary L.B. Cole.
Catman Comics was publisher Frank Z. Temerson's attempt to cash in on the sudden superhero boom, resulting in a colorful costumed crimefighter with an origin combining elements of Tarzan, Batman, and Captain America. Catman (aka David Merrywether) originally fought crime as a private detective, and later became a U.S. Army officer. He'd also adopted child acrobat Katie Conn, saving her from a life of crime as she became his sidekick Kitten.
The beloved Axis-bashing hero found a dedicated following despite that often-troubled distribution. (In a unique twist, Catman and Kitten were also the only superhero team who'd age somewhat realistically over the years.) The scarcity of the run, due to that scattered distribution and WWII paper drives, has made Catman Comics one of the toughest and most rewarding Golden Age titles to collect.
Patriotic covers like this one were responsible for the meteoric rise of the comic book as a staple of the American pop-culture diet in the heady days of WWII, but one could argue these issues are even more popular today, as they are one of the star attractions for serious collectors. These wartime comics continue to grow in value and desirability, even as the events and lessons learned from these conflicts start to fade from memory. Here we have Catman and Kitten walking arm-in-arm with the brave young men of the US Armed Forces, acting both as entertainment and also a rallying cry for freedom; these comics will always hold a special place in the hobby no matter what trends come and go.
While this classic L.B. Cole cover illustration may bear some of the tell-tale hallmarks of a seventy-four-year vintage, the memorable artwork still presents strong chromatic touches, as the imperfections respectfully avoid the central figures as they march forth into history.
Artists Information
Leonard Brandt Cole was a comic book artist, editor, and publisher who worked during the Golden Age of Comic Books, producing work in various genres. Cole was particularly known for his bold covers, featuring what he referred to as "poster colors"—the use of primary colors often over black backgrounds. In addition to his covers, Cole did interior art for comics published by Holyoke Publications, Gilberton, and Ajax/Farrell. He also worked as an editor for Holyoke in the 1940s. Cole's comic book career started in the early 1940s, mainly as a cover artist for titles such as Suspense Comics (Et-Es-Go Magazines) and Contact Comics (Aviation Press). He soon became known for his distinctive covers: examples include the covers to Mask Comics #1, Mask Comics #2 (Rural Home), Contact Comics #12, and Captain Flight Comics #11 (Four Star Publications). An avid science fiction fan, Cole was known for slipping in sci-fi elements even when they weren't appropriate, such as rocket ships and ray guns appearing on the covers of Captain Flight Comics and Contact Comics. During this time, Cole created the character "Wiggles the Wonderworm" who appeared in five issues of Taffy Comics, published by Rural Home/Orbit Publications. In 1949, publisher Novelty Press sold its characters and artwork to Cole, who was the cover artist for Novelty's Blue Bolt Comics. Using his new assets, Cole began Star Publications, which operated from 1949 to 1955. After the closure of Star, Cole continued doing cover illustrations, many for Classics Illustrated Junior. In the early 1960s, Cole was art director and editor at Dell Comics. He gained further recognition when comic fandom grew in the late 1960s and through the 1970s. In 1981, he created a new painting that was featured on the cover of the 11th edition of the Overstreet Comic Book Price Guide. During this same time, he began selling re-creations of his classic covers. In the early 1990s, Ernie Gerber published his two-volume Photo Journal Guide To Comic Books which featured on its covers a number of Cole's covers. As a result, the demand for Cole's work increased dramatically.
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,