TARZAN (1972) #231
FN-: 5.5
(Stock Image)
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DESCRIPTION
white pgs
100 pgs; Kubert cover; Nino art
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Joe Kubert (Sept. 18, 1926 - Aug. 12, 2012) began his career at the age of 13. He was also an art teacher and founder of The Kubert School. He is best known for his work on the characters like Sgt. Rock, Hawkman, Tor, Son of Sinbad and the Viking Prince.
Frank Giacoia (July 6, 1924 – February 4, 1988) was an American comics artist known primarily as an inker. He sometimes worked under the name Frank Ray, Giacoia made the rounds to almost every Golden Age publisher, notably working on Flash and Batman stories, he also worked at Timely during this period. In the Silver Age Frank worked on many Jack Kirby pages, particularly in Captain America, and he also notably inked the first appearance of the Punisher in AMS #129.
In the 1950s, he worked for companies like Harvey, Toby Press, Charlton and Ziff Davis, doing western, horror and romance titles. He also did syndicated strips like 'Mister Rubbles' and 'Sam Hill'. For Gilberton's Classics Illustrated, Sparling drew 'Robin Hood' and Mark Twain's 'A Connecticut Yankee in King Arthur's Court'. In the late 1960s, Sparling was additionally present in Eerie with several horror stories. From 1960 to 1972, he did the daily 'Honor Eden' for the McClure Syndicate. Jack Sparling remained active until the late 1980s. In the final stages of his comic book career, he worked mainly on Western Publishing titles like 'The Twilight Zone' and 'Turok', but he also did contributions to DC and Marvel titles.
100 pgs; Kubert cover; Nino art
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Joe Kubert (Sept. 18, 1926 - Aug. 12, 2012) began his career at the age of 13. He was also an art teacher and founder of The Kubert School. He is best known for his work on the characters like Sgt. Rock, Hawkman, Tor, Son of Sinbad and the Viking Prince.
Frank Giacoia (July 6, 1924 – February 4, 1988) was an American comics artist known primarily as an inker. He sometimes worked under the name Frank Ray, Giacoia made the rounds to almost every Golden Age publisher, notably working on Flash and Batman stories, he also worked at Timely during this period. In the Silver Age Frank worked on many Jack Kirby pages, particularly in Captain America, and he also notably inked the first appearance of the Punisher in AMS #129.
In the 1950s, he worked for companies like Harvey, Toby Press, Charlton and Ziff Davis, doing western, horror and romance titles. He also did syndicated strips like 'Mister Rubbles' and 'Sam Hill'. For Gilberton's Classics Illustrated, Sparling drew 'Robin Hood' and Mark Twain's 'A Connecticut Yankee in King Arthur's Court'. In the late 1960s, Sparling was additionally present in Eerie with several horror stories. From 1960 to 1972, he did the daily 'Honor Eden' for the McClure Syndicate. Jack Sparling remained active until the late 1980s. In the final stages of his comic book career, he worked mainly on Western Publishing titles like 'The Twilight Zone' and 'Turok', but he also did contributions to DC and Marvel titles.