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Sienkiewicz pin-up bc; Silver Samurai battle cover; COMIC BOOK IMPACT rating of 6 (CBI)



Artists Information

'The Michelangelo of comics.' Buscema was one of the mainstays of Marvel Comics during its 1960s and 1970s heyday, best known for his run on the The Avengers and The Silver Surfer, and for over 200 stories featuring the sword-and-sorcery hero Conan the Barbarian. In addition, he penciled at least one issue of nearly every major Marvel title, including long runs on two of the company's top books, Fantastic Four and Thor.

Bill Sienkiewicz is an American artist, known for his work in comic books—particularly for Marvel Comics’ New Mutants, Moon Knight, and Elektra: Assassin. Sienkiewicz’s work in the 1980s was considered revolutionary in mainstream U.S. comics due to his highly stylized art that verged on abstraction and made use of oil painting, photorealism, collage, mimeograph, and other forms generally uncommon in comic books. Sienkiewicz was born May 3, 1958, in Blakely, Pennsylvania. When he was five years old, he moved with his family to the Hainesville, New Jersey section of Sandyston Township, New Jersey, where he attended elementary and secondary school. Sienkiewicz began drawing “when he was about four or five” and continued doing and learning about art throughout his childhood. His early comic book influences include artist Curt Swan Superman comics, and artist Jack Kirby’s Fantastic Four. Sienkiewicz received his classical art education at the Newark School of Fine and Industrial Arts in Newark, New Jersey. After art school, he showed a portfolio of his work to DC Comics’ art director Vince Colletta, which led to his entering the comics field at age 19. The artist recalled in 1985; “They didn’t have any work for me, but that didn’t bother me. I just figured that if comics didn’t work out I’d have done advertising or illustration. Vinnie called [renowned comics and advertising artist] Neal Adams, who put me in touch with [Marvel Comics editor-in-chief] Jim Shooter. Soon after that I was drawing Moon Knight, in The Hulk [black-and-white comics] magazine.” His early art style was heavily influenced by Neal Adams. Sienkiewicz continued as the artist of the Moon Knight color comics series, starting with the first issue (November 1980). His eclectic art style helped shed the early perception of Moon Knight as a mere Batman clone. Four years later, after a stint as artist on the Fantastic Four, he became the artist on Marvel’s X-Men spin-off New Mutants, beginning with issue No. 18 (August 1984), producing cover paintings and character designs. From this period on, Sienkiewicz’s art evolved into a much more expressionistic style, and he began experimenting with paint, collage and mixed media. He illustrated New Mutants from 1984 to 1985. Sienkiewicz produced covers for a range of Marvel titles, including Rom, Dazzler, The Mighty Thor, Return of the Jedi and The Transformers. He also created the comic adaptation of Dune. Sienkiewicz’s own first writing credit was for the painted story “Slow Dancer” in Epic Illustrated in 1986. Sienkiewicz both wrote and illustrated the 1988 miniseries Stray Toasters, an idiosyncratic work published by Epic Comics about a criminal psychologist investigating a series of murders. His first major interior work for DC Comics was contributing to Batman #400 (October 1986). He illustrated the 1986-87 eight-issue Elektra: Assassin limited series and the Daredevil: Love and War graphic novel which were both written by Frank Miller.

Klaus Janson is a German-born American comics artist, working regularly for Marvel Comics and DC Comics and sporadically for independent companies. While he is best known as an inker, Janson has frequently worked as a penciler and colorist. Janson began working for DC Comics in the early 1980s and inked Gene Colan's pencils on Detective Comics and Jemm, Son of Saturn. Janson was one of the artists on Superman #400 (Oct. 1984) and was one of the contributors to the DC Challenge limited series. His collaboration with Miller on Daredevil would soon be eclipsed by a second collaboration between them, on Batman: The Dark Knight Returns in 1986. Janson inked the early issues of The Sensational Spider-Man which had been written and penciled by Dan Jurgens. Janson's work as an inker and occasional penciler at Marvel Comics includes collaborations with John Romita Jr. on Wolverine, The Amazing Spider-Man and Black Panther.