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classic grey-tone cover; COMIC BOOK IMPACT rating of 6 (CBI)



Artists Information

High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,

Mike Sekowsky was an American comics artist known as the penciler for DC Comics' Justice League of America during most of the 1960s (including their initial appearance in Brave and the Bold #28), and as the regular writer and artist on Wonder Woman during the late 1960s and early 1970s. Sekowsky's long career began in the early 40s for Timely Comics drawing the adventures of Captain America, and Sub-Mariner among others in titles such as All Winners Comics, Daring Comics, Marvel Mystery Comics, and Young Allies Comics. He would transition to DC Comics in the 1950s where we would work on Romance and Science Fiction stories including drawing the first appearance of Adam Strange in Showcase #17. He would co-create the Justice League of America with Gardner Fox and continue as it's artist for over 60 issues. Sekowsky would go on to have memorable runs as artist and writer on Metal Men, Wonder Woman, and the Supergirl feature in Adventure Comics.