STAR WARS #47
NM: 9.4
(Stock Image)
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DESCRIPTION
white pgs
Infantino art
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Howard Eugene Day was a Canadian comics artist best known for his work on Marvel Comics' Star Wars licensed series and Master of Kung Fu. He was considered a mentor by independent comic writer/artist Dave Sim.
Walt Simonson is a hugely influential writer/artist who rose to prominence at DC in the 1970's on various War titles and The Metal Men, it was his work on the Detective Comics back-up feature Manhunter with Archie Goodwin that made readers take notice. He would go on to Marvel where he would draw the X-Men/New Teen Titans crossover and have a groundbreaking run on Thor that is considered one of the finest in the long history of the title. He would go on to work on X-Factor, Fantastic Four, and a host of other titles. His own creation, The Star Slammers is a series he has returned to periodically throughout his career, most recently with IDW.
Infantino art
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Howard Eugene Day was a Canadian comics artist best known for his work on Marvel Comics' Star Wars licensed series and Master of Kung Fu. He was considered a mentor by independent comic writer/artist Dave Sim.
Walt Simonson is a hugely influential writer/artist who rose to prominence at DC in the 1970's on various War titles and The Metal Men, it was his work on the Detective Comics back-up feature Manhunter with Archie Goodwin that made readers take notice. He would go on to Marvel where he would draw the X-Men/New Teen Titans crossover and have a groundbreaking run on Thor that is considered one of the finest in the long history of the title. He would go on to work on X-Factor, Fantastic Four, and a host of other titles. His own creation, The Star Slammers is a series he has returned to periodically throughout his career, most recently with IDW.
