STRANGE TALES (1951-76) #115
CGC NM+: 9.6
(Stock Image)
SOLD ON: Thursday, 09/01/2016 2:36 PM
$12,000
Sold For
33
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PUBLISHER: Marvel
COMMENTS: white pgs
Kirby/Ditko cvr; origin Dr. Strange; 2nd app. Sandman, early Spider-Man x-over
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Kirby/Ditko cvr; origin Dr. Strange; 2nd app. Sandman, early Spider-Man x-over
DESCRIPTION
white pgs
Kirby/Ditko cvr; origin Dr. Strange; 2nd app. Sandman, early Spider-Man x-over
The cover of Strange Tales #115 features a typically extraordinary Steve Ditko illustration, which neatly summarizes the Human Torch v. Sandman yarn that's featured first in the issue. Readers were also getting a story that boasted a cameo by Spider-Man, as well as a fun plot twist with Johnny Storm posing as Spidey.
The true treasure of this book, however, may be the Dr. Strange origin story in the back pages. Although the Sorcerer Supreme had appeared in the previous four issues of Strange Tales , this is the first telling of how Dr. Stephen Strange came to pursue the mystic arts. (There's also the first appearances of several classic spells, plus the first invoking of Dormammu.) This classic book provides much of what became the basis of the Doctor Strange films starring Benedict Cumberbatch. As a core character of Marvel Cinematic Universe lore, there can be no mistaking the value and importance of this classic Silver Age comic. This copy is one of the highest graded on the CGC census, making it hugely desirable for anyone building a top-notch Marvel key collection, or anyone looking to keep up with Marvel Movie mayhem! This beauty shows no apparent flaws due to the rigors of time, and still bears the same bright and vibrant colors as the day it was printed -- all of which serves to highlight the wonderful Ditko art that graces the cover of this fine piece of Marvel lore. Anyone looking to invest in a quality piece of Silver Age history need look no further.
Overstreet Guide 2016 NM- (9.2) value = $2,000.
Artists Information
Steve Ditko was an American comics artist and writer best known for being the co-creator of Marvel superhero Spider-Man and creator of Doctor Strange. He also made notable contributions to the character of Iron Man, revolutionizing the character's red and yellow design.
Ditko studied under Batman artist Jerry Robinson at the Cartoonist and Illustrators School in New York City. He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin. During this time, he began his long association with Charlton Comics, where he did work in the genres of science fiction, horror, and mystery. He also co-created the superhero Captain Atom in 1960.
During the summer of 1958, writer-editor Stan Lee invited Ditko back to Atlas. Ditko would go on to contribute a large number of stories, many considered classic, to Atlas/Marvel's Strange Tales and the newly launched Amazing Adventures, Strange Worlds, Tales of Suspense and Tales to Astonish, issues of which would typically open with a Kirby-drawn monster story, followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, all capped by an often-surreal, sometimes self-reflective short by Ditko and Stan Lee. The first collaboration between Ditko and Lee was 2-Gun Western #4 (May 1956), which was also Ditko's only non-fantasy story.
These Lee-Ditko short stories proved so popular that Amazing Adventures was reformatted to feature such stories exclusively beginning with issue #7 (Dec. 1961), when the comic was rechristened Amazing Adult Fantasy, a name intended to reflect its more "sophisticated" nature, as likewise the new tagline "The magazine that respects your intelligence". Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had a few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry-type endings." Giving an early example of what would later be known as the "Marvel Method" of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect."
During the 1950s, Ditko also drew for Atlas Comics, a forerunner of Marvel Comics. He went on to contribute much significant work to Marvel. Ditko was the artist for the first 38 issues of The Amazing Spider-Man, co-creating much of the Spider-Man supporting characters and villains with Stan Lee. Beginning with issue #25, Ditko was also credited as the plotter. In 1966, after being the exclusive artist on The Amazing Spider-Man and the "Doctor Strange" feature in Strange Tales, Ditko left Marvel for a variety of reasons, including creative differences and unpaid royalties.
Ditko continued to work for Charlton and also DC Comics, including a revamp of the long-running character the Blue Beetle and creating or co-creating the Question, the Creeper, Shade the Changing Man, and Hawk and Dove. Ditko also began contributing to small independent publishers, where he created Mr. A, a hero reflecting the influence of Ayn Rand's philosophy of Objectivism. Ditko largely declined to give interviews, saying he preferred to communicate through his work.
Ditko was inducted into the comics industry's Jack Kirby Hall of Fame in 1990 and into the Will Eisner Award Hall of Fame in 1994. He will be posthumously honored as a Disney Legend in 2024.
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
Richard "Dick" Ayers was an American comic book artist and cartoonist best known for his work as one of the main inkers during the late-1950's and 1960's Silver Age of Comics, including some of the earliest issues of Marvel Comics' including Jack Kirby's The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s. His career would span 7 decades until his death in 2014.
Kirby/Ditko cvr; origin Dr. Strange; 2nd app. Sandman, early Spider-Man x-over
The cover of Strange Tales #115 features a typically extraordinary Steve Ditko illustration, which neatly summarizes the Human Torch v. Sandman yarn that's featured first in the issue. Readers were also getting a story that boasted a cameo by Spider-Man, as well as a fun plot twist with Johnny Storm posing as Spidey.
The true treasure of this book, however, may be the Dr. Strange origin story in the back pages. Although the Sorcerer Supreme had appeared in the previous four issues of Strange Tales , this is the first telling of how Dr. Stephen Strange came to pursue the mystic arts. (There's also the first appearances of several classic spells, plus the first invoking of Dormammu.) This classic book provides much of what became the basis of the Doctor Strange films starring Benedict Cumberbatch. As a core character of Marvel Cinematic Universe lore, there can be no mistaking the value and importance of this classic Silver Age comic. This copy is one of the highest graded on the CGC census, making it hugely desirable for anyone building a top-notch Marvel key collection, or anyone looking to keep up with Marvel Movie mayhem! This beauty shows no apparent flaws due to the rigors of time, and still bears the same bright and vibrant colors as the day it was printed -- all of which serves to highlight the wonderful Ditko art that graces the cover of this fine piece of Marvel lore. Anyone looking to invest in a quality piece of Silver Age history need look no further.
Overstreet Guide 2016 NM- (9.2) value = $2,000.
Artists Information
Steve Ditko was an American comics artist and writer best known for being the co-creator of Marvel superhero Spider-Man and creator of Doctor Strange. He also made notable contributions to the character of Iron Man, revolutionizing the character's red and yellow design.
Ditko studied under Batman artist Jerry Robinson at the Cartoonist and Illustrators School in New York City. He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin. During this time, he began his long association with Charlton Comics, where he did work in the genres of science fiction, horror, and mystery. He also co-created the superhero Captain Atom in 1960.
During the summer of 1958, writer-editor Stan Lee invited Ditko back to Atlas. Ditko would go on to contribute a large number of stories, many considered classic, to Atlas/Marvel's Strange Tales and the newly launched Amazing Adventures, Strange Worlds, Tales of Suspense and Tales to Astonish, issues of which would typically open with a Kirby-drawn monster story, followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, all capped by an often-surreal, sometimes self-reflective short by Ditko and Stan Lee. The first collaboration between Ditko and Lee was 2-Gun Western #4 (May 1956), which was also Ditko's only non-fantasy story.
These Lee-Ditko short stories proved so popular that Amazing Adventures was reformatted to feature such stories exclusively beginning with issue #7 (Dec. 1961), when the comic was rechristened Amazing Adult Fantasy, a name intended to reflect its more "sophisticated" nature, as likewise the new tagline "The magazine that respects your intelligence". Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had a few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry-type endings." Giving an early example of what would later be known as the "Marvel Method" of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect."
During the 1950s, Ditko also drew for Atlas Comics, a forerunner of Marvel Comics. He went on to contribute much significant work to Marvel. Ditko was the artist for the first 38 issues of The Amazing Spider-Man, co-creating much of the Spider-Man supporting characters and villains with Stan Lee. Beginning with issue #25, Ditko was also credited as the plotter. In 1966, after being the exclusive artist on The Amazing Spider-Man and the "Doctor Strange" feature in Strange Tales, Ditko left Marvel for a variety of reasons, including creative differences and unpaid royalties.
Ditko continued to work for Charlton and also DC Comics, including a revamp of the long-running character the Blue Beetle and creating or co-creating the Question, the Creeper, Shade the Changing Man, and Hawk and Dove. Ditko also began contributing to small independent publishers, where he created Mr. A, a hero reflecting the influence of Ayn Rand's philosophy of Objectivism. Ditko largely declined to give interviews, saying he preferred to communicate through his work.
Ditko was inducted into the comics industry's Jack Kirby Hall of Fame in 1990 and into the Will Eisner Award Hall of Fame in 1994. He will be posthumously honored as a Disney Legend in 2024.
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
Richard "Dick" Ayers was an American comic book artist and cartoonist best known for his work as one of the main inkers during the late-1950's and 1960's Silver Age of Comics, including some of the earliest issues of Marvel Comics' including Jack Kirby's The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s. His career would span 7 decades until his death in 2014.