WHIZ COMICS #95
G/VG: 3.0
(Stock Image)
--
Accepting Offers
--
Offers
PUBLISHER: Fawcett
COMMENTS: cpn clipped, does not affect story
CC Beck cvr, Wolverton art
Read Description ▼
CC Beck cvr, Wolverton art
DESCRIPTION
cpn clipped, does not affect story
CC Beck cvr, Wolverton art
Artists Information
Beck was the artist most closely associated with the original Captain Marvel at Fawcett Comics, he was the main illustrator for Whiz Comics in the Golden Age while also working on Ibis the Invincible and Spy Smasher. Later in his career he specialized in Golden Age recreations, he also created the oddball Fatman and the Flying Saucer title for Milson Publications.
Basil Wolverton is primarily recognized for his bizarre and grotesque caricatures that he made his name with in the second half of his career. Starting out as an independent artist, Wolverton worked in a relatively normal, but personal, style throughout the Golden Age, contributing sci-fi and GGA comedy pages to a variety of publishers, including a tenure at Timely. After winning a national contest to draw "Lena the Hyena" which was published in Al Capp's Li'l Abner strip, Basil switched over to his renown "spaghetti and meatballs" style, which consisted of highly detailed and disturbing malformed creatures. Working at Mad Magazine for a spell, Wolverton built up his distinct style and would continue to create shocking and unforgettable images for comics like Plop! through the Bronze Age until his passing in 1978. Since his death, recognition and fanfare for the artist's unique talents have grown in stature, leading his original pages to go for impressive numbers, as well as influencing underground and independent artists who came after him.
Kurt Schaffenberger's first job in comics came in June of 1941, when he was assigned to inking backgrounds for a 'Captain Marvel' story for Fawcett. After the war, Schaffenberger joined the studio of C.C. Beck and Pete Costanza, and his work expanded by becoming a featured artist on 'Ibis the Invincible', also by Fawcett. Schaffenberger was hired by DC Comics in 1957 to become the artist on 'Lois Lane'. From there, Schaffenberger became a regular contributor to the entire Superman comics line. He later became a frequent artist on the anthology series 'The Superman Family'. Schaffenberger also created artwork for DC's Shazam! series after C.C. Beck's departure. In 1968, Kurt Schaffenberger succeeded Jim Mooney as the artist on the 'Supergirl' feature.
CC Beck cvr, Wolverton art
Artists Information
Beck was the artist most closely associated with the original Captain Marvel at Fawcett Comics, he was the main illustrator for Whiz Comics in the Golden Age while also working on Ibis the Invincible and Spy Smasher. Later in his career he specialized in Golden Age recreations, he also created the oddball Fatman and the Flying Saucer title for Milson Publications.
Basil Wolverton is primarily recognized for his bizarre and grotesque caricatures that he made his name with in the second half of his career. Starting out as an independent artist, Wolverton worked in a relatively normal, but personal, style throughout the Golden Age, contributing sci-fi and GGA comedy pages to a variety of publishers, including a tenure at Timely. After winning a national contest to draw "Lena the Hyena" which was published in Al Capp's Li'l Abner strip, Basil switched over to his renown "spaghetti and meatballs" style, which consisted of highly detailed and disturbing malformed creatures. Working at Mad Magazine for a spell, Wolverton built up his distinct style and would continue to create shocking and unforgettable images for comics like Plop! through the Bronze Age until his passing in 1978. Since his death, recognition and fanfare for the artist's unique talents have grown in stature, leading his original pages to go for impressive numbers, as well as influencing underground and independent artists who came after him.
Kurt Schaffenberger's first job in comics came in June of 1941, when he was assigned to inking backgrounds for a 'Captain Marvel' story for Fawcett. After the war, Schaffenberger joined the studio of C.C. Beck and Pete Costanza, and his work expanded by becoming a featured artist on 'Ibis the Invincible', also by Fawcett. Schaffenberger was hired by DC Comics in 1957 to become the artist on 'Lois Lane'. From there, Schaffenberger became a regular contributor to the entire Superman comics line. He later became a frequent artist on the anthology series 'The Superman Family'. Schaffenberger also created artwork for DC's Shazam! series after C.C. Beck's departure. In 1968, Kurt Schaffenberger succeeded Jim Mooney as the artist on the 'Supergirl' feature.