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DC 100 Page Super Spectacular #DC-7; Raboy art



Artists Information

High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,

Emmanuel "Mac" Raboy was an American comics artist best known for his comic-book work on Fawcett Comics' Captain Marvel Jr. and as the Sunday comic-strip artist of Flash Gordon for more than 20 years. Cartoonist Drew Friedman has stated, "Raboy was an expert technician with pen and brush, and his lush covers are some of the most unusually beautiful ever to grace comic books". Raboy began his art career with the Works Progress Administration during the Great Depression. In the 1940s he began working with the Harry A. Chesler studio of comics artists. Raboy began drawing comic books and gained fame as the illustrator for Captain Marvel, Jr. and the Green Lama. Raboy was a great admirer of Alex Raymond, and "kept a portfolio of Alex Raymond's "Flash Gordon" comics by his side for inspiration and guidance as he worked". In the spring of 1946, King Features hired Raboy to continue the Sunday page adventures of Flash Gordon, which he continued to work on until his death.

Swan was a house artist at DC working on titles like Tommy Tomorrow, he began gravitating towards Superman and his related books, Superboy, World's Finest and Jimmy Olsen, he would eventually leave DC thanks to his personality issue with Editor In Chief Mort Weisinger. He would eventually return and go on to be the artist that defined the look of Superman in the Silver Age, eventually becoming the editor of the title, but after thirty years of keeping up standards of all things Superman, Swan was given the boot in favor of John Byrne's Superman reboot, Swan's comic work began to taper off after this dismissal and he eventually retired, but will forever be recognized as the Silver Age Superman's finest artist.

Gil Kane was a Latvian-born American comics artist whose career spanned the 1940s to the 1990s and virtually every major comics company and character. Kane co-created the modern-day versions of the superheroes Green Lantern and the Atom for DC Comics, and co-created Iron Fist with Roy Thomas for Marvel Comics. He was involved in such major storylines as that of The Amazing Spider-Man #96–98, which, at the behest of the U.S. Department of Health, Education, and Welfare, bucked the then-prevalent Comics Code Authority to depict drug abuse, and ultimately spurred an update of the Code. Kane additionally pioneered an early graphic novel prototype, His Name Is... Savage, in 1968, and a seminal graphic novel, Blackmark, in 1971. In 1997, he was inducted into both the Will Eisner Comic Book Hall of Fame and the Harvey Award Jack Kirby Hall of Fame.