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glossy! white pages
Nick Cardy cvr; 100 pgs; Mr. Mxyzptlk app; COMIC BOOK IMPACT rating of 5 (CBI)
sketches by Wrightson, Kaluta, Kubert, Infantino, Swan, Adams, & Aragones


Artists Information

Swan was a house artist at DC working on titles like Tommy Tomorrow, he began gravitating towards Superman and his related books, Superboy, World's Finest and Jimmy Olsen, he would eventually leave DC thanks to his personality issue with Editor In Chief Mort Weisinger. He would eventually return and go on to be the artist that defined the look of Superman in the Silver Age, eventually becoming the editor of the title, but after thirty years of keeping up standards of all things Superman, Swan was given the boot in favor of John Byrne's Superman reboot, Swan's comic work began to taper off after this dismissal and he eventually retired, but will forever be recognized as the Silver Age Superman's finest artist.

Gil Kane was a Latvian-born American comics artist whose career spanned the 1940s to the 1990s and virtually every major comics company and character. Kane co-created the modern-day versions of the superheroes Green Lantern and the Atom for DC Comics, and co-created Iron Fist with Roy Thomas for Marvel Comics. He was involved in such major storylines as that of The Amazing Spider-Man #96–98, which, at the behest of the U.S. Department of Health, Education, and Welfare, bucked the then-prevalent Comics Code Authority to depict drug abuse, and ultimately spurred an update of the Code. Kane additionally pioneered an early graphic novel prototype, His Name Is... Savage, in 1968, and a seminal graphic novel, Blackmark, in 1971. In 1997, he was inducted into both the Will Eisner Comic Book Hall of Fame and the Harvey Award Jack Kirby Hall of Fame.

Kurt Schaffenberger's first job in comics came in June of 1941, when he was assigned to inking backgrounds for a 'Captain Marvel' story for Fawcett. After the war, Schaffenberger joined the studio of C.C. Beck and Pete Costanza, and his work expanded by becoming a featured artist on 'Ibis the Invincible', also by Fawcett. Schaffenberger was hired by DC Comics in 1957 to become the artist on 'Lois Lane'. From there, Schaffenberger became a regular contributor to the entire Superman comics line. He later became a frequent artist on the anthology series 'The Superman Family'. Schaffenberger also created artwork for DC's Shazam! series after C.C. Beck's departure. In 1968, Kurt Schaffenberger succeeded Jim Mooney as the artist on the 'Supergirl' feature.

Nick Cardi (Nicholas Viscardi) was an American comics artist best known for his DC Comics work on Aquaman, the Teen Titans and other major characters. Cardy was inducted into the Will Eisner Comic Book Hall of Fame in 2005. Cardy entered the comics field working for the Eisner/Iger studio, joining circa 1940, he worked on Fight Comics, Jungle Comics, Kaanga Comics, and Wings for Fiction House Publications. He wrote and drew the four-page backup feature "Lady Luck" in Will Eisner's 16-page, Spirit Section, from the May 18, 1941 strip through February 22, 1942. In 1950, Cardy began his decades-long association with DC Comics, starting with the comic book Gang Busters, developing his breakout reputation with Tomahawk, his most prominent series at the time. From 1962–1968, he drew the first 39 issues of Aquaman, whose character had previously starred in a backup feature in Adventure Comics, and all its covers through the final issue (#56, April 1971). Cardy first drew the Teen Titans in The Brave and the Bold #60 (July 1965), wherein the superhero sidekicks Robin, Kid Flash, and Aqualad were joined by Wonder Woman's younger sister Wonder Girl in her first appearance. After next being featured in Showcase #59 (Dec. 1965), the team was spun off into their own series with Teen Titans #1 (Feb. 1966). From 1966–73, Cardy penciled or inked – sometimes both – all 43 issues of the series. Cardy left the comics industry in the mid-1970's for the more lucrative field of commercial art. There, under the name Nick Cardi, he did magazine art and ad illustrations, including movie advertising art (though not necessarily the "one-sheet" posters) for films including The Street Fighter (1974), The Night They Robbed Big Bertha's (1975), Neil Simon's California Suite (1978), Stanley Donen's Movie Movie (1978), Martin Ritt's Casey's Shadow (1978), and Francis Ford Coppola's Apocalypse Now (1979).