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classic Curt Swan Bizarro vs. Frankenstein cvr
Cover pencils by Curt Swan, inks by Stan Kaye. The Great Superman Hoax!, pencils by Wayne Boring, inks by Stan Kaye; Professor Juris pretends that he is secretly Superman to attempt to steal some Red Kryptonite from Perry White. Lois Lane's Lucky Day!, art by John Forte; Perry White sends Clark and Lois to a carnival to determine if the games are rigged. Bizarro Meets Frankenstein!, script by Otto Binder, pencils by Wayne Boring, inks by Stan Kaye; After seeing an Earth program claiming that Frankenstein was the scariest monster, Bizarro #1 travels to Earth to prove that he is scarier than Frankenstein.


Artists Information

Wayne Boring is a legendary American comic book artist who's best known for his work on the Golden Age era of Superman and to this day is considered among the top fifty artists to make DC Comics great. Wayne began on the Superman comic strip and in the mid-1940s transitioned over to the main comic book title where he introduced such long standing pieces of canon as the Fortress of Solitude and Bizarro World. Boring would go on to create backgrounds on Hal Foster's Price Valiant from 1968 - 1972 and would draw several titles for Marvel Comics.

Swan was a house artist at DC working on titles like Tommy Tomorrow, he began gravitating towards Superman and his related books, Superboy, World's Finest and Jimmy Olsen, he would eventually leave DC thanks to his personality issue with Editor In Chief Mort Weisinger. He would eventually return and go on to be the artist that defined the look of Superman in the Silver Age, eventually becoming the editor of the title, but after thirty years of keeping up standards of all things Superman, Swan was given the boot in favor of John Byrne's Superman reboot, Swan's comic work began to taper off after this dismissal and he eventually retired, but will forever be recognized as the Silver Age Superman's finest artist.

Lily Renée Phillips, often credited as L. Renée, Lily Renée, or Reney, is an American artist best known as one of the earliest women in the comic-book industry, beginning in the 1940s period known as the Golden Age of Comics. She escaped from Nazi-occupied Vienna to England and later New York, whereupon she found work as a penciller and inker at the comics publisher Fiction House, working on such features as "Jane Martin", "The Werewolf Hunter", "The Lost World" and "Senorita Rio".